An Afghan First for Me- Hand Dyed

ScannedImageThis is actually a first for me. Now I have made what seems like a gazillion afghans, I have designed several, but Transmute Square really is a first for me; It was designed specifically with hand dyed yarns.

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Transmute Square Throw

Why does that make it so different, well for starters most people feel like hand dyed yarns are out of the price range, and thus an afghan is really not affordable. So I managed to create Transmute with only 6 skeins of yarn.

The unique thing about this yarn, Lisa Souza Targhee, is that is 100% Targhee wool. Targhee wool is an American breed, please note America is not known as a very large producer of wool, most of the world’s wool comes from New Zealand and Australia. Yet Targhee is a new heritage breed in the United States, so for me, it is local. Granted being 100% wool it may felt, so it care for it I use the delicate setting on the washing machine and I hang it on the clothes line to dry (or you could use the dryer with an “air only” setting, or little or no heat). This yarn will create a throw that is warmer than its acrylic counterpart, even with open work.

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Transmute Square Throw

So aside from the yarn characteristics, the fact that it is hand dyed creates a different effect in designing, the color repeats of this colorway, Deep Sea, is subtle, but as with most of these yarns the color repeats are not exceptionally long. I broke up these little sections of color with open work, to allow the eye to continually find visual interest.

Created with miter squares, this throw is completely join as you go, so you do not have to sew any squares together. This allows for a carefree kind of project, in a design that can easily be used in a masculine or feminine setting. By varying the square size this throw has a dynamic impact on its surroundings while having a very modern flair.

So consider opening your experiences to some yarns that you may not have thought of, you never know what gem you might find, and check out my Transmute Square pattern to put them to use.

Firelight Shawl a Quick Stunning Work Up

ScannedImageI love a little challenge, and the Firelight Shawl was that for me. As I have stated before, I enjoy having a design that has some constraints, and a desired goal. I often find one-skein projects a fun challenge, however this time it was to create this shawl with a limited number of cones of thread, and a limited number of beads.

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Firelight Shawl

The shape is one that I have found I have a little draw toward, it is stacked short row triangles. I love how this fans outward and has a great uneven edge. It is fun to work up, and hard to put down. I find that if the pattern has a nice “let me get there” point I end up crocheting more. This usually takes me a little further in the work then just a simple row repeat that I can stop at any time.

The bead placement on this shawl definitely highlights the added bling. Unfortunately photos never tend to pick them up well, but trust me it is loaded with beads. There are beads placed at least every 4 stitches, and even then, it is three beads at once.

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Firelight Shawl

Essentially the same stitch is used throughout, with the exception of the beads. Tunisian Crochet is utilized in a Double Knit Stitch, this stitch creates a nice open airy feel to the fabric, while really allowing the yarn and beads to shine.

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Firelight Shawl

There are plans to make a knit version of this pattern, but it does take me a bit longer to get that done and I did not want to hold this up for anyone that might want to create a quick stunning holiday gift. I hope to have knitting ready at the beginning of the year, it is a work in progress. In the meantime give Firelight a try, it is a quick little piece of dazzle that will make you smile.

You can check it out on Craftsy or Ravelry.

Where Arts Can Learn from Each Other

ScannedImageThis last week I had the opportunity to spend some tie at a knitting workshop. The Hangtown Fibers Guild, my local non-denominational Fiber Guild that has to be given credit for all the encouragement and support of my entering the Crochet Industry, was hosting Lucy Neatby for a day long workshop on a variety of knitting techniques. I helped arrange the workshop, and in handling the support I was able to glean some information from the beginning of the day.

The technique that made me smile was the knitters Provisional Cast On. Casting on is how a knit project begins, it is how to add loops to the needle, and there are various ways to do this. The traditional Provisional Cast On, begins with a crochet chain, and then loops are pulled through the chains, much like the beginning of Tunisian Crochet. During this workshop a variation of this technique was taught, essentially it is crocheting over the knitting needle.

I had an ever widening grin, as this is a skill the crocheters use in all sorts of ways. This is a technique that has been used to cover clothes hangers, to create bracelets, to make rugs. It is a simple part of a crocheters skills, and here it has another use in the world of knitting.

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Pull the yarn overs around the item you want to crochet over.

The basic of this skill is to simply have a loop on your hook, and with the object you want to crochet over in front of the working yarn, you move your hook to yarn over and pull a loop over the item. At this point you can pull through the loop on your hook (a chain stitch) or yarn over and pull through both loops (a single crochet US, or double crochet UK).

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Crocheting over a canning jar ring, I have created a wreath ornament.

Recently I have used this technique to crochet over mason canning rings with green yarn, to create wreath ornaments for the holiday season.

Every skill we learn is an additional tool we have, to grow in all the arts.

Helpful Unicorns, Win One Yourself

ScannedImageWorking in the crochet industry has given me several opportunities. I have been able to meet wonderful people, I have inspired others to create, I have had the done some traveling, and I get to sample new products. It is from these opportunities that I have a giveaway for you!

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Unicorn Fibre cleansing set!

I have checked out the products of Unicorn Fibre, they make fabulous cleansing products for natural fibers. They are gentle, yet effective with a clean scent. I have a set of cleansers; Power Scour, to remove stains, odors, oils, and even can be used to wash raw sheep fleeces. Fibre Wash, for gentle cleaning with no yellowing effect. Fibre Rinse, to reduce “itch” factors, reduce dye loss, and leave fabric just yummy. Included in the set, a complimentary Unicorn Fibre Baby Unicorn, just cute and cuddly to make you smile.

The products are designed for hand or machine wash, and work with hard or soft water. They are easy to use, and the Fibre Wash and Fibre Rinse can make blocking a dream. These are definitely products that can enhance any of your natural fiber creation.

So why is it important to treat natural fibers delicately? It has to do with the chemical makeup of the wool and hair that are mostly comprised of: carbon, hydrogen, oxygen & Sulphur, (it is Sulphur that attracts moths). Natural fibers are more likely to break down in chemical washes that interact with these properties. An easy way to think of this is as your own hair. Different hair care products can have very different effects on your head, and the same is true with natural fibers (wool, alpaca, and such).

So to have your own opportunity to check out these cleansers, simply leave a comment on this post before Wednesday, November 2, 2017 midnight PST. I would love to hear about your favorite natural fiber, or cleansing tips you might have, but any comment will get you entered. One lucky winner will be selected randomly on November 3, 2017. If you don’t happen to be selected, give yourself a treat and check out Unicorn Fibre products (you can find them here).

Stress Free & Seamless… The Best of Crochet

ScannedImageI had a surprise in the latest special issue of Crochet! Magazine,(Stress Free Seamless Crochet, Fall 2016), I had another design on the cover! What was really surprising is that I was not even expecting this design to be in this issue.

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Autumn Blaze Scarf Photo courtesy Annie’s

132120_small2The Autumn Blaze Scarf that adorns the cover is really an interesting pattern that creates a great texture while creating a fabric that is on the biased, meaning that it has increases and decreases worked every row to give it a much angled direction. This really allows yarn that has some length to the color repeats to shine.

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Dharma Tote Photo courtesy Annie’s

The second design I have in this issue also benefits from long color repeat yarn, the Dharma Tote uses crochet miter squares to bring color to life in angles. Miter squares are worked from two edges worked, a corner, and worked toward the opposite corner. There is essentially a decrease worked in the center of the worked row, and my continuing the row with a decrease every row, it reduces to a point.

One of the really nice features about miter squares is that you can easily work it as join as you go, by beginning an edge directly on a created square. I played around a bit with the square locations, as I really didn’t want everything facing the same direction, yet I didn’t want to create a square that would be difficult to create with too many joins. I added some leather strap handles, and this bag was ready to go. I love the stretch that it has, I can stuff it full of crochet samples for my classes, or items that my kids need for “insert name of event here”.

Both of the designs benefit from long color repeat yarns, there is a couple of reasons for this. First you do not have to think about color combinations. The yarns already have some harmony in the palette of color, thus making sure that your finished product will be pleasing to the eye. Second, the long spans of color allow for the design to be highlighted. Whenever color changes are short, a little of every color works into almost any stitch, and things looked speckled. When to color change is long, you can create a shape in the color, as with Dharma Tote, you can see the directions for the squares. Neither of these designs would shine if they were speckled or in solid colors.