Destination Shawl- Simple and Bold

Often times it is something simple that makes the boldest statement. This has taken me some time to learn, that a design does not need to be super busy or flashy; just take away everything that is unnecessary and it will shine.

Destination Shawl

I probably do not always follow this simple statement, but in the case of Destination Shawl, I think it works.

This triangle shawl is worked center neck outward, in a simple stitch pattern, and with simple very fine yarn. The yarn is Mondofil Japon, a super fine weight 60% Rayon/40% Japanese Paper yarn/thread that is found on a cone. It has an interesting texture a bit like a linen, but gets softer when it gets wet.

The Destination Shawl is light and airy, reminding me of a day at the ocean as it only offers a hint of being there yet still offers a statement. The color bands are a bit deceptive as they are actually staggered in width to provide an artistic balance and to draw the eye outward.

Destination as it is, is perfect for warm weather, but my simply changing the yarn to a light wool or mohair and this becomes a great cold weather wrap.

If you have never made a shawl before, or if you are a seasoned veteran at the skill, this shawl will be one you will enjoy.

 

Cotton Classic- a Little Different than “Traditional”

Some yarns always inspire me, some always tell me what they want to be, others, well maybe not so much. Cotton Classic by Tahki Stacy Charles is one of the former, it can always find a design in my mind.

Cotton Classic is 100& Mercerised Cotton and this sometimes causes people to pause. The term cotton is generally understood, it had a great marketing campaign throughout the 1980’s about how it is a naturally grown product that lets the fabric breath. Cotton also is stronger when wet, has limited stretch, and many think of it shrinking when first washed. This first wash shrinking, is not like felting of wool, this is essentially because cotton, being a short in length fiber, has more “twist” worked into the yarn in order to hold the fibers together (if a strand is long it does not need to be twisted together as much to hold, while something short needs to have more twists to ensure the hold) this puts a lot of tension on the fiber. When the yarn (of cotton shirt) finally gets fully submerged in water it actually allows the fiber to relax, this allows it to release the tension, and this caused the fiber to contract. So cotton will only shrink in the first washing whereas wool will continue to shrink with washings.

Cotton Classic by Tahki www.lindadeancrochet.com

Cotton Classic by Tahki Stacey Charles

The term that confounds many is Mercerised. Mercerised is a process that removes the slight halo effect that can accompany a cotton fiber, this is essentially the tiny ends of the fiber protruding from the yarn. To Mercerise the yarn, or thread is brought over an open flame to burn off the fibers. This creates a yarn that has a nice smooth finish that has great stitch definition. Another side effect of this process is that it does not allow the cotton to absorb water as is normally considered. Thus Mercerised Cotton is not recommended for dish clothes, where regular cotton will work wonderfully.

I find Cotton Classic is wonderful for warm weather projects, dressy scarves, home décor items, a great market bag. I even love it for tank tops and cover ups. This yarn has a wide arrange of colors available, and it shows of lace work stitches and textural stitches fabulously. It comes in small hanks of 1.75oz/50g with 108 yds/100m. It is a light weight and has nice drape on larger hooks.

Consider it for your next summer weather project, and don’t worry about this cotton reminding you of a dish rag.

Some Subtel or Not So Subtel Changes

ScannedImageOne thing that I enjoy experimenting with is visual effects in crochet. There are many different ways that this can be accomplished, textural stitches, various stitch locations, colors, but this time I was actually working with a carry a long thread.

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Swatch using a Carry Along thread

I challenged myself to play with something that is relatively simple yet has interest. So I was working with a Tunisian Simple Stitch, changing color on every forward and return pass. I find that I really enjoy this with 3 colors as each row sets up really nicely for the next, and eventually you do not even have to think about what color you are on the strand you need is already there. (If you would like to give it a try for yourself, I have a free pattern using the stitch technique here.)

I was working with some vibrant colors, and wanted to tone it down a bit and even tie the colors together better, so I picked up some Twist Carry Along Yarn from Kreinik Threads and it did the trick. Many would find a complimentary color and add similar color thread to the work, I instead decided to go big, and I pared a color that would stand out, gold. This allows for the colors to actually find more harmony together. The eye begins to tone down the brightness of the vibrant yarns as they have a constant that is running through all of them. One of the reasons I chose the gold as the carry a long color was that if I am going to put in this extra work, I want it to be seen. I want someone to recognize my effort, if you have a hard time telling that there was something different done then it almost seems like there is no payoff for my extra work. I decided to be bold.

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Swatch without a thread

Using a carry a long thread is actually pretty easy, you just work 2 strands together, one being your main yarn and the other being your thread. The only difficulty comes in changing the color of the main yarn, you want to make sure that you do not get everything too tangled, so remember to overlap your yarns in a consistent direction and keep the thread out of the twist.

So if you want to challenge yourself, reach into your stash of yarn and pull out a couple of yarns are random, now use them together, if the colors seem like they won’t work try using a thread, either the same as I tried, or even a metallic sewing thread or a beautiful embroidery type. See how it can change the effect. Play, you might find a pleasant surprise.

New Again, at Least to Me- Clone Knots

ScannedImageSometimes we find inspiration for crochet in unusual places, sometimes it is just looking at a traditional method in a different light.

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Clone Knots

For me the Clone Knot is one of those stitches that I never really knew existed until I took a thread crochet class from Kathy Earle at a CGOA conference/Knit & Crochet Show a couple of years ago. The class on Irish Crochet really expanded my knowledge, I usually do not work with thread and tiny hooks, however I really have a new level of respect for those that do. I took some of my new found skills and applied them to my yarn crochet, and the clone knot fit into this very well.

The clone knot is essentially a multiple of loops placed on the hook and worked together creating a bump of material in the middle of a set of chains. It creates a unique textural and visual impact to open fabric work, and in Irish crochet is often worked in between motifs during the joining process.

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Bring the hook under the working yarn.

To create this stitch, begin by chaining a couple of chains, then place the hook under the working yarn, rotate the hook 360° and place in under the working yarn again. Placing the hook under the working yarn and rotating the hook causes a loop of yarn to be placed on the hook and twisted to stay in place.

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Twist hook counter-clockwise 360 degrees

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Bring hook under yarn again, and re twist clockwise 360 degrees.

After working this motion a few times or the number indicated in the pattern, yarn over and pull through all the loops. Then chain a couple of more times, now comes the part of securing the stitch. Pull the chain taught and push the loops toward the working end of the chains. You should feel or hear a small pop; this is essentially that you are sliding the loops over the adjacent chain causing it to become secure.

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Yarn over and pull through all the loops on the hook.

This unique stitch does have a slight disadvantage to what you usually expect from crochet, it is difficult to rip back, as securing it makes the stitch more difficult, as it creates what its name implies, a knot.

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Pull chain taught and push Clone Knot toward working end of the chain to secure it in place, you will feel or hear a “pop”.

I hope you give this embellishment a try, add it to an edging, an place of open work, any where you want something a little different.

Appreciate the Thread

ScannedImageWhen most people think of crochet, they think of granny squares or doilies. The same techniques may be used in both, but there is a different skill set for each.  From reviewing most of my crochet work, I usually play with yarn, and thus take it for granted, but picking up some thread can easily bring all the technique needed to crochet into focus for me.

It is not that yarn and thread crochet have that many differences, they use a hook, they have the same stitches and they are creating a series of knots, but where the differences come into play is the execution of those stitches. In yarn I automatically adjust my tension dependent upon the yarn weight and fiber type (some silky yarns tend to slide a bit), but nothing in the yarn realm can prepare me for tensioning thread.

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Some beautiful thread work by my friend Phyllis Nabakowski

Tension can definitely affect the appearance of your work, more than first realized. Some tensions are too tight and stitches are tight and compact compared to a tension that is too loose, resulting in stitches that appear sloppy. Too tight/loose tension can make it appear that you are using the incorrect hook size, but it doesn’t really improving after you adjust your hook.

I usually keep a fairly loose tension, thus I pull the yarn out of the skein and then begin to crochet, but with thread this is far too loose for me, and I have to weave it through my fingers differently in order to get control of it. I usually don’t wrap yarn around my fingers but weave it between them, thread I wrap around a finger to increase my tension and thus improve my stitches.

Even adjusting for my tension, there is a factor within thread crochet that varies greatly from yarn. Thread is less forgiving. Often in yarn projects mistakes are masked by the yarn, but in thread every aspect of your work is seen. The direction that you pull up you yarn-overs (YO) is even noticeable in thread crochet, so you have to pay attention to your work. It is a medium that I practice in, so that I can have some presentable thread work.

If you haven’t had success with using thread, play with it and see if adjusting your tension and paying attention to your stitches help, and appreciate the work of those that have mastered these skills. Those small dainty stitches are the work of disciplined techniques.