Hourglass Waves- A Stunning Stitch

I really enjoy putting some classic stitches together in ways that you may not have considered. My latest design does just that. The Hourglass Waves Baby Afghan uses the Catherine Wheel Stitch to create a ripple and an hourglass appearance.

It is really the color work that makes this design come to life, and believe it or not, the color really do have an order to their repeating pattern. However the various stitches can through off this simple pattern creating a great visual interest. It is obvious that this is not your everyday baby throw.

Hourglass Waves Baby Afghan by Linda Dean www.lindadeancrochet.com

Hourglass Waves Baby Afghan Photo courtesy Crochet Now Magazine

Featured as a design in the latest issue of Crochet Now Magazine, issue 13, this blanket is one that does not just mark itself as something for a baby, it can easily grow for a toddler, a child, and created larger a great design for a teen or adult. The next opportunity I get I think I may make enlarge my own and make a version for my son. I really think he would love it in primary colors.

Sometimes people can hear the stitch pattern Catherine’s Wheel and instantly get a bit fearful, but this stitch pattern is not as difficult as you may think. Essentially it is a row of large shells, or fans, basically a large number of double crochets (treble crochets if you happen to be in the UK), worked min the same location. This is worked across a row and the following row is essentially a large decrease, worked in between the shells, pulling up loops in each of these stitches, making the fabric edge straight again. This blanket utilizes this very technique, but then highlights the shapes it can create with rows of single crochet (double crochet in the UK).

Hourglass Waves Baby Afghan by Linda Dean www.lindadeancrochet.com

Hourglass Waves Baby Afghan Photo courtesy Crochet Now Magazine

I love how the pattern is not something that you see every day, it has dimension and character.  I hope you find this design inspiring too.

Celebrate a Month of Crochet! The Spokes Tam

Welcome to my post for the annual National Crochet Month Blog Tour hosted by Crochetville.com! I am honored to have been participated in the last 5 years of this tour event, and this year theme is “Glamping”…or Glamorous Camping, every day in the month of March Crochetville.com has visited designers, yarn stores, and had various giveaways…don’t miss a stop of the tour.

I cannot say that I have done much crocheting while camping…honestly, I have not been camping in years. I live a rural life, and have lost count of the days I spent camping as a kid, so I vacation now in a bit more of a “modern” style…someplace that offers room service.

To celebrate National Crochet Month I have a free pattern to share with you as well as a discount at my Ravelry.com store (use coupon code NatCroMo2017 and receive 25% off any and all patterns).  The Spokes Tam is a simple beret hat dresses up your Glamping adventure with a bit of style. You can really use any weight yarn with an appropriate crochet hook, but I have listed what I have used below.

Spokes Tam (For a printable version, this pattern is available at Ravelry.com for $2.00)

Spokes Tam by Linda Dean www.lindadeancrochet.com

Spokes Tam

Special note: All Front Post Double Crochet (fpdc) after Round 2, are worked around fpdc the row below.

Front Post Double Crochet (fpdc): Yarn over, insert hook from front to back and then to front again around post of stitch, yarn over and draw up loop, [yarn over and draw through 2 loops on hook] twice.

Front Post Single Crochet (fpsc): Insert hook from front to back and then to front again around post of stitch, yarn over and draw up a loop, yarn over and draw through 2 loops.

Double Crochet 2 Together (dc2tog): [Yarn over, insert hook in next st and draw up a loop, yarn over and draw through 2 loops on hook] twice, yarn over and draw through all 3 loops on hook.

Materials:

*1 skein Lisa Souza Dyeworks Cashmere Sport (www.lisaknit.com)

*Size J/10 ½/6.00mm crochet hook

Gauge: Gauge is not critical for this design

Rnd 1: Ch 4, 15 dc in 4th ch from hook, sl st to join. (16 dc)

Rnd 2: Ch 3, fpdc in same st, 2 dc in next st, [(dc, fpdc) in next st, 2 dc in next st] repeat around, sl st to join. (24 dc, 8 fpdc)

Rnd 3: Ch 3, fpdc in same st, dc in next st, 2 dc in next st, dc in next st, [(dc, fpdc) in next st, dc in next st, 2 dc in next st, dc in next st] around, sl st to join. (40 dc, 8 fpdc)

Rnd 4: Ch 3, fpdc in same st, dc in next 2 sts, 2 dc in next st, dc in next 2 sts, [(dc, fpdc) in next st, dc in next 2 sts, 2 dc in next st, dc in next 2 sts] around, sl st to join. (56 dc, 8 fpdc)

Rnd 5: Ch 3, fpdc in same st, dc in next 3 sts, 2 dc in next st, dc in next 3 sts, [(dc, fpdc) in next st, dc in next 3 sts, 2 dc in next st, dc in next 3 sts] around, sl st to join. (72 dc, 8 fpdc)

Rnd 6: Ch 3, fpdc in same st, dc in next 4 sts, 2 dc in next st, dc in next 4sts, [(dc, fpdc) in next st, dc in next 4 sts, 2 dc in next st, dc in next 4 sts] around, sl st to join. (88 dc, 8 fpdc)

Rnd 7: Ch 3, fpdc in same st, dc in next 5 sts, 2 dc in next st, dc in next 5 sts, [(dc, fpdc) in next st, dc in next 5 sts, 2 dc in next st, dc in next 5 sts] around, sl st to join. (104 dc, 8 fpdc)

Rnd 8: Ch 3, fpdc in same st, dc in next 6 sts, 2 dc in next st, dc in next 6 sts, [(dc, fpdc) in next st, dc in next 6 sts, 2 dc in next st, dc in next 6 sts] around, sl st to join. (102 dc, 8 fpdc)

Rnd 9: Ch 3, fpdc in same st, dc in next 7 sts, 2 dc in next st, dc in next 7 sts, [(dc, fpdc) in next st, dc in next 7 sts, 2 dc in next st, dc in next 7 sts] around, sl st to join. (136 dc, 8 fpdc)

Rnd 10: Ch 1, turn, fpsc around same st, fpsc around each st, sl st st join. (144 fpsc)

Rnd 11: Ch 3, turn, dc in next 6 sts, dc2tog over next 2 sts, [dc in next 7 sts, dc2tog over next 2 sts] around, sl st to join.

Rnd 12: Ch 3, dc in next 5 sts, dc2tog over next 2 sts, [dc in next 6 sts, dc2tog over next 2 sts] around, sl st to join.

Rnd 13: Ch 3, dc in next 4 sts, dc2tog over next 2 sts, [dc in next 5 sts, dc2tog over next 2 sts] around, sl st to join.

Rnd 14: Ch 3, dc in next 3 sts, dc2tog over next 2 sts, [dc in next 4 sts, dc2tog over next 2 sts] around, sl st to join.

Rnd 15: Ch 1, turn, sc in each st around, sl st to join.

Rnd 16: Ch 1, turn, sc in each st around, sl st to join. Fasten off.

Spokes Tam by Linda Dean www.lindadeancrochet.com

Spokes Tam

Enjoy a Celebration of Crochet! Don’t forget to use coupon code NatCroMo2017 and receive 25% off any and all patterns at my Ravelry.com store until April 15, 2017.

Check out all the stops on the Crochetville.com tour for more free patterns, discounts and fabulous ideas!

Knit It! Crochet It! The Converse Shawl

My latest design, or should I say designs, once again grew out of the challenge of a one skein project worked in both knit and crochet. Unlike some of my other knit/crochet designs, this one does not as closely resemble each other.

Converse Shawl by Linda Dean www.lindadeancrochet.com

Converse Shawl Crochet version

The visual effect of this design is really more about how the color moves around and comes together. Not really like color pooling, but more like paint on an artist canvas. So Converse Shawl is the latest addition to my design collection. (1 pattern and you get both the knit and the crochet version).

The crochet version of Converse is worked from one side to the other, or otherwise known as vertically, while the knit version is worked basically bottom to top or horizontally. Yet they both have a line of color that then runs a vertically creating this artist affect. I feel like it is this slight line, or visual break that really makes everything come together.

Converse Shawl by Linda Dean www.lindadeancrochet.com

Converse Shawl knit version

The skills for working either of these shawls is not advanced. The crochet version utilizes post stitches, and works what is known to many as a basket weave pattern. It features tall stiches to give an airy feel that can mimic a woven inspiration. The knit version features drop stitches that are carried over a couple of simple rows allowing the color to “drip” down.

I cannot take full credit for this design. I worked with Lisa Souza, of Lisa Souza Dyeworks to create the knit effect as a compliment to the crochet. Often I work a crochet design from the perspective of recreating a knit, this time I created the crochet and the structural technique I had for the knit would not come together properly. Lisa helped me to create a knit version that was structurally sound while still sharing the same vision of the crochet version.

I have to admit thought, that this design looks great with the featured shawl pin from Lickin Flames. It could be that hand created items, like the hand dyed yarns of Lisa Souza (of which this design is 1 skein of Baby Alpaca Silk Petite in color way Jacob’s Coat), and the hand created shawl pins by Jim Atchinson of Lickin Flames just happen to enhance each other. If that is the case, great! It makes designing so much easier when the materials really work together.

Knit It! Crochet It! The Dialog Shawl

Creating a design that is both knit and crochet has its own set of challenges, one mainly being that I am not an expert knitter. However I have created a design with the help of a couple of friends that I think is pretty impressive.

Dialog Crochet Shawl by Linda Dean www.lindadeancrochet.com

Dialog Shawl, Crochet version

The Dialog Shawl is created with short rows with alternating panels of a solid and lace fabric. It is a fun pattern to work up as it uses basic stitches but still keeps you mentally engaged, but not so much as to cause stress. The only difference between the knit and crochet version is that the panels of the crochet version are bigger and thus there are only 4 triangles instead of the 6 that are found in the knit version.

I love that this is a one skein project. It is featured in Baby Alpaca Silk Petite Yarn from Lisa Souza Dyeworks, and I definitely draw to the color of Peacock, but I think this design can easily worked up in various colors, and may look distinctly different and fabulous in a variegated yarn. This yarn is really awesome, and I have used it for several projects over the years. It is a light/fine weight yarn that has a beautiful hand and is a pleasure to work. I also feature a shawl pin with this design, it was after all part of the inspiration for the design, and it is actually a Shawl Button from Lickin Flames. Each Shawl Button is handmade, beautiful, and completely unique. The one that inspired me was a Raku button in Bronze with a shiny black accent.

Dialog Knit Shawl by Linda Dean wwww.lindadeancrochet.com

Dialog Shawl, Knit version

I cannot say that I have ever been particularly inspired to create a design from a pin or button before, usually I attempt to create a design that can be worn independently of such items. However, recently I have come to see how this piece of art can really had to the overall effect of my crochet (or in part of this design, knit). It is like a subtle accent point that helps add to the overall effect, bringing everything to a new level.

Overall I am completely thrilled with this design, and I hope you enjoy it too. As is the case with all of my knit/crochet designs one pattern contains both versions, so if you are bi-stitchual you can work both versions, and if you prefer one craft over the other you have it right before you.

Yes, I did get Something Done!

It is a little crazy how time goes by, and you never really take stock of it. There are many days when I feel that I have not accomplished much, if anything at all. Then there are days when I do a little reflecting and stumble upon, or at least look at the documents I use every day, that provide a listing of the works I have completed.
These listings might be staring me in the face, and I am not really looking at them. I keep a spread sheet of all the contracts I am working on and completed. I began this spread sheet when I sold my first design at the end of 2011, and I have currently filled 129 lines. I then have a listing of my self-published designs (that are not included on my contracted list) that I began in mid-2013, and find I have 29 completed with another 6 in progress.
When I actually think about the fact that I really have been on this adventure as a designer for less than 5 years, and I have completed 158 designs, I will be honest…in my mind it doesn’t sound like enough. For some reason I think that I have to have completed so much more. I still average 2.6 designs a month or .6 designs a week, but my mind wants me to finish more. (If you would like to see a majority of these, check out my Ravelry.com designer page….the number of designs listed is lower, but that gives you an idea of how things are constantly in the process).

 

Clean my desk...www.lindadeancrochet.com

I should give myself credit when I clean my desk. It catches all my ideas in various stages.

The only way I get my mind to find a little balance is to also place in this weekly schedule that I teach 2 days a week, nearly 20 students every week. That takes prep time, which takes knowledge of my skill, which takes time.
I then have to remember that I am mom to two very active kids. Active enough that one has me volunteered to lead a 4H sewing project every week. Both have me playing chauffer in running to various sports and activities (fortunately my husband does more than his fair share of this running around as well). So, I really only get work done when they are in school.
Then I usually overlook the many hours a week I donate to various organizations, mostly supporting crochet. These hours add up faster then I may think in the beginning of saying “yes” when asked to help.
Only when I finally spell it all out, do I feel like I have accomplished something. It may not be as readily tangible as would work for my mind, but this focus helps “rebalance” me in a sense, so thank you for following along my self-talk of taking stock.
Hopefully this taking “taking stock” will inspire the newest rounds of designs…hopefully it will keep me from beating myself up for a bit…I really do get more done then I think.