Two New Patterns for Autumn- Half Price!

Looking back it seems like I always find myself in this place every year…Autumn. The time of year that apparently has the calendar skipping weeks on me, as I really do not know where the time has gone, while making me feel like there is a ton of things I need to get done in a short span of time. I guess it leaves me overwhelmed, exhausted, and feeling like I have many unmet responsibilities.

So in all this I guess I should be really thankful that I have managed to release not just one, but two new patterns!

Lisa Souza Dyeworks is releasing a few new yarns, and being a designer means that I can sometimes get my hands on this yarn early to create some new ideas. As was the case with Nyam (a Superfine Merino and Cashmere fine weight yarn) and Pyrenees Bulky (a 100% Organic Merino yarn) I was able to create a 1 skein project that is perfect for the holidays.

Nyam lent itself particularly well to my new pattern, Contextual Shawl. This shawl is a simple one row repeat that can really flatter almost any yarn, of any weight, of any size, any fiber content. The size can easily be adjusted to make it larger or smaller, and yet to look at it the pattern is not readily apparent. It works up fast and can be used as a project on the go. I can see this in so many different colors and styles that the possibilities are endless.

Matrix Hooded Cowl worked up great in Pyrenees Bulky. I have not made a lot of cowls in the past, but I can see the appeal. This cowl is again a one skein project that is nice and wide, and the perfect size in my opinion to warm the neck and offer protection form the cold as a hood. The pattern actually has a mirroring quality to it, as halfway across the row you work the mirror image of the beginning. It is a 4 row repeat that has a bit of fun with stacked shapes. Don’t let the open spaces fool you, paired with this yarn it is quite warm, making it tighter might just make it unwearable.

As a special offer to you, as a reader, please enjoy 50% off either of these patterns at my Ravelry Store for the next month (They will be only $2.00 then on November 30 the price resets to its original $4.00). Enjoy your quick paced autumn season.

Links:

Ravelry Store

Contextual Shawl

Matrix Hooded Cowl

Free Pattern- Tapper Cowl

It started a couple of years ago, I took a trip with Lisa Souza Dyeworks to the New York Sheep and Wool Festival, known to many simply as Rhinebeck. I teamed up with Lisa and began offering a free pattern to go along with her limited edition yarn for the show. This next weekend, Rhinebeck is occurring again, just as it does every October, and I have another new pattern for you featured yarn (this year it is in Deluxe Sock!).

Instead of making it only available to those that attend the show, this year I decided to share it with you, my followers as well. I hope you enjoy this quick and relatively simple one skein project. If you want to try it in the same yarn you can order it here (www.lisaknit.com), I don’t know if the same color will be available as it is a limited edition, but there are many other beautiful ones to choose from.

If you decide you want to change the yarn, it is pretty forgiving for substitutions, but I would recommend a yarn that is no larger then a 3 weight (sport), with the best being a 2 weight (fingering).

If you would like a printer friendly version, I have one available on Ravelry for $2.

Tapper Cowl

Stunningly simple, yet the effect is confident and enjoyable. This simple stitch pattern allows the yarn to be the star; it has great drape and fabulous flow. Long enough to double up, and wide enough to act as a hood, a cowl that is versatile.   

Skill Level: Advanced Beginner    Finished Size Approximately: 52”x 17”

Materials List:

  • I/9/5.50mm size crochet hook
  • Lisa Souza Dyeworks Deluxe Sock! light weight 80% Superwash Merino,10% Nylon, 10% Cashmere (4oz/495yds): 1 skein color: Rhinebeck 2017 (www.lisaknit.com)
  • Tapestry needle

Gauge: 4 ½ (sc, ch 3) groups/13 rows= 4”

Pattern Note /Special Stitches

This pattern is worked in the round, without turning.

Pattern

Rnd 1: Ch 233, sc in 2nd ch from hook, ch 3, sk 3, [sc in next ch, ch 3, sk 3] 57 times, sk last 3 sts, sl st to beg sc. -58 sc, (58) ch-3 sps

Rnd 2: Ch 1, sc in same st, ch 3, [sc in next sc, ch 3] around, sl st to beg sc.

Row 3-55: Rep Rnd 2.

Finishing- Weave in ends, attaching beg of original chain to the bottom of the first sc st, block as desired.

Abbreviations:

ch: chain

rep: repeat

sc: single crochet

sk: skip

sp(s): space(s)

st(s): stitch(es)

Time for Fall- the Homey Fireplace Hat

I might take hats a bit for granted. When I was learning to crochet I never ventured into hats, after all my grandmother had crocheted several…everyone in my house had more than they needed.  But in honesty, my biggest hang up with hats was working in the round.

Photo courtesy Prime Publishing

The hats my grandmother created were all worked in a back and forth manner, from top to bottom as a rectangle, seamed at a side and gathered at the top. I never saw a hat worked in the round. It intimidated me.

I remember a friend of my college roommate was crocheting hats in the round and I was secretly mesmerized.

So the Homey Fireplace Hat seems pretty straight forward to me. It is worked vertically with a single crochet ribbing, but then has two cables worked in the center, all the way around. It is the same overall style that I am use to. It has a lot of stretch so it can fit just about anybody, kids to adults. This design can be found in the latest issue, October 2017, of I Like Crochet. This is an on-line magazine that offers a nice variety, but not on newsstands but your inbox instead.

Photo courtesy Prime Publishing

The cable is a relatively simple two by one type cable, meaning that there are two stitches that are crossed over by one, and this is done twice. By working the 2 cables right next to each other it helps really set off the texture.

I sometimes like to see this design worked up in a variegated color, as it lends itself well to some color striping and the cables help “bleed” the color to the stripes below. The yarn in this design is called Targhee by Lisa Souza, it is available in so many different color ways that the possibilities really seem endless.

Targhee is a sheep breed, one that is growing in popularity within the United States, especially for locally produced wools. It has a nice spring to it and holds the warmth ideal for a nice hat.

Small Town, Small World, Big Punch in Fiber Arts

The world has ways of reminding me that it is much smaller then I think, and I have had friends recently make me think of my home town a bit differently. I grew up, currently live, and have long roots in the California gold country; a friend made a comment about living in such a historic place, and I admit I think I probably have taken that for granted. However the craziest thing isn’t how much my area has history, it is how often I learn about companies in the fiber industry that have roots here too.

 

As I was getting into the profession of crochet I began to pay a bit more attention to my surrounding in regards to other professionals. My local Fibers Guild (a groups of members that love all things yarn) I learned that there was a yarn company just a short distance from my kids school, Lisa Souza Knitwear and Dyeworks. I have worked with Lisa over the years to help create crochet designs in her beautiful yarns, as well as help work her show booth and visit various cities throughout the United States.

 

If only having a well-established yarn company in my town was enough, I also learned that a nationally recognized fiber spinning instructor and author, Lexi Boeger of Pluckyfluff, grew up in my community as well. Heck she was only a year ahead of me in high school, but my high school was large enough that I can honestly say that we did not run in the same circles. Her family owns a well-known local winery, and she has a studio just near the tasting room, that I have had the pleasure of teaching workshops at.

 

Those two connections should be more than enough, then I got into a conversation with a long time member of my Fiber Guild and when she learned where I lived she immediately assumed that I must know Lorna Miser, the creator and founder of Lorna’s Laces yarn. I did not know her, but the connection was made that as I was growing up she was starting the yarn company literally about 2 miles from my childhood home. There is even a colorway within the yarn company that features my street name, Bucks Bar. I did meet Lorna a few years later, and long after she had sold the business that is now housed in the Chicago, Illinois area, I was when working on some designs for a book that she was working on, and learned that she knew several members of my extended family. Even though up until very recently she and I only lived about thirty minutes apart, while she was starting up her latest yarn adventure, Zombie Yarns,  we would only cross paths at trade shows thousands of miles from home; but that is how it works out at times isn’t it? Never have lunch with a friend when you are in the everyday routine of home, but definitely make time when out of the ordinary grind.

 

So looking back over the connections above to my community, I thought that maybe there was something in the water or maybe every community as secret fiber artists dwelling in plain sight. Then I was at a trade show earlier this month in Columbus, Ohio when a friend and colleague escorted me over to check out a hook supplier. Honestly, I was tagging along a bit, my mind was already taking in the days discussions with various yarn companies when the gentleman, Chris Barnes, mentioned something about California. I mentioned I was from Placerville, that got him to look up, as he started he grew up there. Now I should mention that when traveling it is exciting to find someone that can pronounce the name of the town correctly (it is a short a sound), let alone know where it is without me drawing a map. We began chatting back and forth to find that we knew several of the same people and he was only two years ahead of me in high school and hung out with my cousin during his high school years. Apparently he had just taken over the business his father had started in my hometown, Brittany Needles. The company moved several years back to a little down on the northern coast that I enjoy vacationing at, Mendocino, but it started right here in my little gold rush town.

 

I know I have taken the local gold rush history for granted, but I did not realize that there was such a rich fiber arts history in the professional sense surrounding me. Honestly, since this last connection I am beginning to think I need to question the ladies at the Hangtown Fibers Guild more, as when I excitedly mention these new to me connections, they have already know everyone involved.  I wonder if there are any other industry connections hidden away in my back yard.

A Perfect Flair for Summer- Dare to Flair Toddlers Dress

I really enjoy when I have a design that looks fashionable and creative, and more difficult than it actually is to construct. The Dare to Flair Toddlers Dress fits this description. It can be found in the June 2017 issue of I Like Crochet Magazine, and dependent upon the size you make, uses no more than 2 skeins of Lisa Souza Dyeworks Hardtwist yarn.

This girls dress worked in Tunisian Simple stitch is comprised of strips, so you make only rectangles and triangles, these are put together with Reverse Single Crochet, to add an almost rope like edging between all the panels and the edging. I love how this dress allows even a relative beginner complete a project that shines like an advanced piece.

Dare to Flair Toddler Dress www.lindadeancrochet.com

Dare to Flair Toddler Dress Photo courtesy Prime Pulishing

The pattern is sized for a 2T through a girl size 8, and can easily be customized. Add length by making the rectangles longer, add width by making rectangles wider. You may need to make some adjustments on the triangles, but this will depend upon where you want the flair to begin, at the waist, at the thigh, maybe at the hip.

I enjoy the versatility that this dress has, and how it really allows variegated yarn to color pool in a way more like knitting. This design would also be fun worked in color blocks, meaning working different panels different colors and joined together.

www.lindadeancrochet.com

Photo courtesy Prime Publishing

Whenever I design clothes for kids, I always try to make it something that they can be successful getting dressed in themselves. So the piece has not really front of back, hence no way to put it on backwards. If it gets turned inside out, the fabric on the inside is just as pretty as the outside. Pair it with legging, or length it for a full dress effect. Ever little girl will want to wear this dress.