Tag Archives: Linda Dean

Yarn Play- Baby Alpaca/ Silk Petite 2

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ScannedImageOne of the questions I often get asked is about yarn. There are so many different types a yarn out there that it can be difficult understand what makes each special, how each will behave in a project and why one might work better in different circumstances.

I will admit, my learning has been through some trial and error, but I also have been overwhelmed with the knowledge that I have received from my local fiber guild (Hangtown Fibers Guild). It consists of people from every aspect of the world of yarn, everyone from those that grow the sheep, shear them, card the wool, spin it, weave it, dye it, knit it, crochet it, felt it…everything. It is truly a remarkable group of mostly women that inspire me more often than they realize, and it is from this inspiration that I began looking at yarn and its properties differently.

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Playing with Drop Stitch and Lisa Souza Dyeworks Baby Alpaca/ Silk Petite 2 (color phaedra)

So today, I have been working with a 2 ply fine weight yarn, by Lisa Souza Dyeworks. This Baby Alpaca/Silk Petite 2 has a nice halo, not to overmuch, but just enough. (The halo is the fibers that tend to almost “hover” around the yarn, it does not seem to be actually in the strand by surrounding it, almost like a slight fuzz).

The two ply does not allow for strong stitch definition, so textual stitches like cables, popcorns and puffs make be lost, but the overall fabric is very light. Two ply yarns in general tend to be a little “flat” and it makes sense when you think about what kind of “tube” is formed from the twisting of 2 tubes together. If you look yarn from the cut end, different plies result in different looks, twisting only 2 strands together you can see gaping or open spaces when compared to a perfect circle.

Being created with Alpaca and Silk, the yarn is strong and will hold up to some wear, but does not have a long of spring. Once it is blocked it will respect its new form, while remaining very soft, and having a decent amount of drape. The fiber content also lends itself to being warm, while the soft nature is appealing to wear near or directly on the skin.

There is definitely life in this yarn, but it is a relaxed life. I think it probably works up best in shawls and wraps, and maybe even a cardigan if you would like it to have a little more of a “hanging” appearance. If you wanted to use it in items like gloves, or things that need some stretch, then you may want to consider that the stretch is going to primarily come from the chosen stitches.

I am currently working it in a drop stitch technique (learn how to drop stitch crochet here) to highlight the yarn in some open work, I will keep you updated on its progress.

Denim and Crochet

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ScannedImageSometimes I just like to crochet with what is available to me at home, and fill some simple need I might have, whether it be artistic or particle. I have no pattern, just an idea and maybe some inspiration, Re-Invented Wednesdays seems like a good time to share these ideas.

My household is one where denim pants, or blue jeans, are in everyone’s wardrobe, almost to the exclusion of any other fabric. The jeans are even recognized as the “good” jeans, and the “work” jeans, so the ones to be worn out for dinner and the ones that you wear to mow the grass. They become such a part of our fashion that even when they begin falling apart, you do not put them in the trash, you find a way to repurpose them. This was even part of my household growing up. You would find a stack of denim with holes and broken seams in a stack in a pile of fabric, just waiting for a new creation.

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My latest denim rug is worked in the round, I’ll add a motif to the center when I finish. The circle so far, is created with one leg.

One easy way to let these jeans have a new life is creating rugs. I cut off the seams, pockets, zipper and waist band, and then cut the remaining fabric in long strips about an inch wide. These strips become the “yarn” that I then crochet to create my rug. Using a large crochet hook, and crocheting loosely, I chain to create the size I want and then simply single crochet until I have a finished size of desire.

Be warned that this can really give your hands and arms a work out, so don’t plan on completing this kind of project in an afternoon, it is best to take it in small bites.

I did create a pattern using this technique for the October 2012 issue of Crochet World, as the Welcome Home Denim Mat, if you want to check out some structured instructions. Hope it give you a new idea.

A Throw of Garden Tendrils, the Ivy on the Fence

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ScannedImageThere is something about taking a simple skill, like making a crochet chain, and using it in a way that you hadn’t conceived of in the past to make you smile. That is how I feel about my latest design Tendrils Throw, in the Summer 2016 issue of Love of Crochet magazine.

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Tendril Throw Photo courtesy of Love of Crochet/ Julia Vandenoever

The throw is worked with large open, airy, and join-as-you-go motifs, which look delicate, but really hold its structure together quite well.

This motif was a resulting of playing. It was a while back, but I was working with chain loops, and I was experimenting with the effect that was made by twisting these loops to work the stitches. It might not seem like this simple concept should actually do much, and if it is worked without subsequent rounds it can just make things feel, well twisted. However it creates neat negative spaces, and actually makes the open work feel a little heartier without adding bulk.

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Tendrils Throw Photo courtesy of Love of Crochet/ Julia Vandenoever

Overall the inspiration was taken from ivy that was climbing on a wrought-iron fence, I think that the shells and picots that make up the solid spaces of this resemble leaves, while the chain loops form the iron work of support.

The pattern creates a throw that is large enough to cover a twin size bed, and if placed over a solid bed cover can be reminiscent of the heritage thread bedspreads, it can also add a bit of whimsy and feminine touch to a garden space.

I like how it ultimately came together, I hope you enjoy it too.

Sweet Memories with Sato Sugar Shawl

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ScannedImageI have some fond memories of my latest design.

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Original version in blue, published in cream.

Sato Sugar Shawl originally entered the world at a fashion show in San Diego, at the annual Crochet Guild of America Chainlink (or otherwise referred to as the Knit & Crochet Show). I had created it from 1 skein of a new yarn from Lisa Souza Dyeworks, Aurora, and seriously just finished it on my way to the show. I hadn’t even formally given it a name or anything.

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Sato Sugar Shawl, photo courtesy of Annie’s

I was encouraged to enter it in the annual members fashion show that happens at the banquet dinner. I agreed to model it, as I was already assisting in modeling other items for the show. I was hastily writing up its description in the back of the staging area, to be read by Ellen Gormley, editor of Crochet! Magazine. Not only was I attempting to put together a nice write up that I would have to walk on stage with, but I also had to make sure that Ellen could actually read my hand writing, which is no small feat.

I was getting input, ideas, and guidance from a wide variety of people that were modeling as well, with designer Vashti Braha giving me some excellent “romance” for the description. One of the things that struck me was a comment that Vashti made about how she had never seen the Love Knot stitch used in the way I had in this wrap. That took me back a little, as Vashti teaches classes on the Love Knot, she has researched its many ways of being made, when it was historically used and such, so to hear her mention that it was completely new to her caught me a little off guard, in a good way.

Summer2016_Crochet!Later that night Ellen pulled me aside and said “submit it, I want it”, and the Sato Sugar Wrap made its way to the pages of Crochet! Magazine for the current Spring 2016 issue. Only the yarn and color were changed for the publication, everything else remains true to the original, I think it worked up nicely in the Berroco Folio Luxe.

It is always fun to see me designs newly released, they often have some story and memory with them, maybe not as all-encompassing as this one, but still they all have stories. Much like each gift I have created over the years, the memories that I have of choosing the yarn or the pattern for “so-and-so for that event and such”. The release time is often a while after I created it, so seeing the latest issue of a magazine can transport me back in time a little, bringing up memories and fostering new ideas.

Some Subtel or Not So Subtel Changes

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ScannedImageOne thing that I enjoy experimenting with is visual effects in crochet. There are many different ways that this can be accomplished, textural stitches, various stitch locations, colors, but this time I was actually working with a carry a long thread.

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Swatch using a Carry Along thread

I challenged myself to play with something that is relatively simple yet has interest. So I was working with a Tunisian Simple Stitch, changing color on every forward and return pass. I find that I really enjoy this with 3 colors as each row sets up really nicely for the next, and eventually you do not even have to think about what color you are on the strand you need is already there. (If you would like to give it a try for yourself, I have a free pattern using the stitch technique here.)

I was working with some vibrant colors, and wanted to tone it down a bit and even tie the colors together better, so I picked up some Twist Carry Along Yarn from Kreinik Threads and it did the trick. Many would find a complimentary color and add similar color thread to the work, I instead decided to go big, and I pared a color that would stand out, gold. This allows for the colors to actually find more harmony together. The eye begins to tone down the brightness of the vibrant yarns as they have a constant that is running through all of them. One of the reasons I chose the gold as the carry a long color was that if I am going to put in this extra work, I want it to be seen. I want someone to recognize my effort, if you have a hard time telling that there was something different done then it almost seems like there is no payoff for my extra work. I decided to be bold.

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Swatch without a thread

Using a carry a long thread is actually pretty easy, you just work 2 strands together, one being your main yarn and the other being your thread. The only difficulty comes in changing the color of the main yarn, you want to make sure that you do not get everything too tangled, so remember to overlap your yarns in a consistent direction and keep the thread out of the twist.

So if you want to challenge yourself, reach into your stash of yarn and pull out a couple of yarns are random, now use them together, if the colors seem like they won’t work try using a thread, either the same as I tried, or even a metallic sewing thread or a beautiful embroidery type. See how it can change the effect. Play, you might find a pleasant surprise.