Summer Lends Itself to Different Fibers in Yarn

ScannedImageAs the warm months approach I always find myself wanting to play with some different yarn types, yarns that may not be as warm and heavy in my lap.

Recently I have been playing with a silk/linen blend yarn. This yarn (Queensland Collection Savanna) is a light to fine weight, with an almost stiff feel. In fairness this stiffness subsides after being washed, as is the case with linen. There is a strong stitch definition and the yarn has what I would describe a rustic feel, with a slight bumpy feel. Each stitch definitely stands on its own, but I don’t feel that it would support heavily textured fabrics such as cables or popcorn stitches very well as the rustic feel and appearance of the yarn tends to distract from this, almost like there is too much texture overall.

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Queensland Collection Savanna yarn

This yarn has very little if any stretch, and a very flat, sturdy drape. It reminds me of similar qualities of cotton. I like how it has breath, meaning that it feels light and summer like. The sheen to it is interesting as well, as it is a dull luster. When this is combined with the rustic feel, it almost seems old fashion to me.

Since silk is the main component of this yarn I know that it has strength, and the linen helps to keep the fabric cool to the touch. My designing mind can easily envision this yarn as a tunic or a skirt, some sort of sturdy simple garment. If it was intended for home décor, I can see that it would create anything to grace a patio setting, or someplace with a natural outdoors feel. I can easily see this creating a fabric that would make a great handbag. It has an interesting appeal and definitely feels right for the warm month.

Yarn Play- Baby Alpaca/ Silk Petite 2

ScannedImageOne of the questions I often get asked is about yarn. There are so many different types a yarn out there that it can be difficult understand what makes each special, how each will behave in a project and why one might work better in different circumstances.

I will admit, my learning has been through some trial and error, but I also have been overwhelmed with the knowledge that I have received from my local fiber guild (Hangtown Fibers Guild). It consists of people from every aspect of the world of yarn, everyone from those that grow the sheep, shear them, card the wool, spin it, weave it, dye it, knit it, crochet it, felt it…everything. It is truly a remarkable group of mostly women that inspire me more often than they realize, and it is from this inspiration that I began looking at yarn and its properties differently.

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Playing with Drop Stitch and Lisa Souza Dyeworks Baby Alpaca/ Silk Petite 2 (color phaedra)

So today, I have been working with a 2 ply fine weight yarn, by Lisa Souza Dyeworks. This Baby Alpaca/Silk Petite 2 has a nice halo, not to overmuch, but just enough. (The halo is the fibers that tend to almost “hover” around the yarn, it does not seem to be actually in the strand by surrounding it, almost like a slight fuzz).

The two ply does not allow for strong stitch definition, so textual stitches like cables, popcorns and puffs make be lost, but the overall fabric is very light. Two ply yarns in general tend to be a little “flat” and it makes sense when you think about what kind of “tube” is formed from the twisting of 2 tubes together. If you look yarn from the cut end, different plies result in different looks, twisting only 2 strands together you can see gaping or open spaces when compared to a perfect circle.

Being created with Alpaca and Silk, the yarn is strong and will hold up to some wear, but does not have a long of spring. Once it is blocked it will respect its new form, while remaining very soft, and having a decent amount of drape. The fiber content also lends itself to being warm, while the soft nature is appealing to wear near or directly on the skin.

There is definitely life in this yarn, but it is a relaxed life. I think it probably works up best in shawls and wraps, and maybe even a cardigan if you would like it to have a little more of a “hanging” appearance. If you wanted to use it in items like gloves, or things that need some stretch, then you may want to consider that the stretch is going to primarily come from the chosen stitches.

I am currently working it in a drop stitch technique (learn how to drop stitch crochet here) to highlight the yarn in some open work, I will keep you updated on its progress.

Sweet Memories with Sato Sugar Shawl

ScannedImageI have some fond memories of my latest design.

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Original version in blue, published in cream.

Sato Sugar Shawl originally entered the world at a fashion show in San Diego, at the annual Crochet Guild of America Chainlink (or otherwise referred to as the Knit & Crochet Show). I had created it from 1 skein of a new yarn from Lisa Souza Dyeworks, Aurora, and seriously just finished it on my way to the show. I hadn’t even formally given it a name or anything.

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Sato Sugar Shawl, photo courtesy of Annie’s

I was encouraged to enter it in the annual members fashion show that happens at the banquet dinner. I agreed to model it, as I was already assisting in modeling other items for the show. I was hastily writing up its description in the back of the staging area, to be read by Ellen Gormley, editor of Crochet! Magazine. Not only was I attempting to put together a nice write up that I would have to walk on stage with, but I also had to make sure that Ellen could actually read my hand writing, which is no small feat.

I was getting input, ideas, and guidance from a wide variety of people that were modeling as well, with designer Vashti Braha giving me some excellent “romance” for the description. One of the things that struck me was a comment that Vashti made about how she had never seen the Love Knot stitch used in the way I had in this wrap. That took me back a little, as Vashti teaches classes on the Love Knot, she has researched its many ways of being made, when it was historically used and such, so to hear her mention that it was completely new to her caught me a little off guard, in a good way.

Summer2016_Crochet!Later that night Ellen pulled me aside and said “submit it, I want it”, and the Sato Sugar Wrap made its way to the pages of Crochet! Magazine for the current Spring 2016 issue. Only the yarn and color were changed for the publication, everything else remains true to the original, I think it worked up nicely in the Berroco Folio Luxe.

It is always fun to see me designs newly released, they often have some story and memory with them, maybe not as all-encompassing as this one, but still they all have stories. Much like each gift I have created over the years, the memories that I have of choosing the yarn or the pattern for “so-and-so for that event and such”. The release time is often a while after I created it, so seeing the latest issue of a magazine can transport me back in time a little, bringing up memories and fostering new ideas.

Some Subtel or Not So Subtel Changes

ScannedImageOne thing that I enjoy experimenting with is visual effects in crochet. There are many different ways that this can be accomplished, textural stitches, various stitch locations, colors, but this time I was actually working with a carry a long thread.

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Swatch using a Carry Along thread

I challenged myself to play with something that is relatively simple yet has interest. So I was working with a Tunisian Simple Stitch, changing color on every forward and return pass. I find that I really enjoy this with 3 colors as each row sets up really nicely for the next, and eventually you do not even have to think about what color you are on the strand you need is already there. (If you would like to give it a try for yourself, I have a free pattern using the stitch technique here.)

I was working with some vibrant colors, and wanted to tone it down a bit and even tie the colors together better, so I picked up some Twist Carry Along Yarn from Kreinik Threads and it did the trick. Many would find a complimentary color and add similar color thread to the work, I instead decided to go big, and I pared a color that would stand out, gold. This allows for the colors to actually find more harmony together. The eye begins to tone down the brightness of the vibrant yarns as they have a constant that is running through all of them. One of the reasons I chose the gold as the carry a long color was that if I am going to put in this extra work, I want it to be seen. I want someone to recognize my effort, if you have a hard time telling that there was something different done then it almost seems like there is no payoff for my extra work. I decided to be bold.

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Swatch without a thread

Using a carry a long thread is actually pretty easy, you just work 2 strands together, one being your main yarn and the other being your thread. The only difficulty comes in changing the color of the main yarn, you want to make sure that you do not get everything too tangled, so remember to overlap your yarns in a consistent direction and keep the thread out of the twist.

So if you want to challenge yourself, reach into your stash of yarn and pull out a couple of yarns are random, now use them together, if the colors seem like they won’t work try using a thread, either the same as I tried, or even a metallic sewing thread or a beautiful embroidery type. See how it can change the effect. Play, you might find a pleasant surprise.

Two Patterns in One! Knit & Crochet Interlude Shawl

ScannedImageSo I have done something a little different, and I am excited about it.

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Interlude Knit Shawl

In the past I shared how my daughter was teaching me to knit (you can read about it here), I will admit I have not been the best student. I can understand knitting in principle and concept but actually getting the needles to work with the yarn is a different story completely. However my lessons have encouraged me to go out on a limb and create dual craft patterns, with the first being Interlude.

Interlude is a shawl that is worked in with one skein of Lisa Souza Sylvie Silk, but it can be worked in either knit OR crochet! Okay, technically it is Tunisian Crochet, but still 2 different ways to create the same look.

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Interlude Crochet Shawl

Obviously the finished product is not identical, but they are very similar; they both work in short rows on large hooks/needles, they both have beautiful drape, they both use only one skein, they both work up quickly, and they both have the same completed shape.

This, okay, these shawls debuted at Stitches West in Santa Clara this past weekend, and there was some definite excitement about the fact that there is actually 2 patterns in one (I had requests for other of my crochet designs to attempt to be converted to knitting), as well as just how yummy the ultimate design is. So fast and yet elegant.

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Interlude Knit Shawl

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Interlude Crochet Shawl

I have to give complete thanks to Lisa Souza herself, for actually knitting up the knit version. I had attempted to complete it myself, but after it set on my needles for months, I knew if it was up to me it would never come into being. Like I stated, I understand the concepts, but the hands are not as proficient as my mind, so I got completely hung up on the short rows. But I can share Lisa’s feedback, she told me that at first she was questioning my sanity, as it is a fine yarn on rather large needles, then she found it rather addicting and finished with just a couple of hours over two evenings. However the magic happened after blocking. The stitches were not readily apparent until it dried, then it all came together and she dubbed it a success (she may still question my sanity, but it is not about this pattern).

This is an interesting adventure, which grew out of my daughter’s simple request, I am personally interested in seeing where it might lead. To help celebrate my enthusiasm with this new undertaking I am offering a 20% discount on ALL patterns in my Ravelry store with coupon code SW2016 through March 31, 2016 (no limits, use it as much as you like, and share it with friends). Thank you for sharing this adventure with me!