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My Drop Stitch Journey

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ScannedImageAs any long time crochet has realized “fancier” crochet stitches really do not have a single name. The term Popcorn, or Cable give you the basic idea, but a Cluster can have a few different interpretations. So it is important to pay close attention to the “Special Stitches” selections of patterns, and if working up your own idea, remember to be consistent with the process or steps of your stitch.

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The Drop Stitch with Shells

With that being stated, I wanted to share how my version of the “Drop Stitch” came about.
Several years ago, I was attempting to find a way to create a round open loop within a row of fabric. I know you can create chain and skip spaces, but I have a vision that was a little different, almost like a “loopty loop” of a roller coaster. In my attempts to find this approach to fulfill my vision I began playing with some “long loops”. With these long loops I twisted, I stitched over, I stitched through and around, in various ways and found eventually found a way to make them secure in the fabric, and eventually began to see what resembled the effects of Hairpin Lace.

Summer Rays Drop Stitch Wrap- pattern.

Summer Rays Drop Stitch Wrap

I wrote up the process and created a short scarf for Crochet! Magazine in the Summer 2012 issue to explain what I found, and how to create it. Since then I have played with the stitch in a variety of ways in my personal crochet, even creating a self-published design earlier this year, Summer Rays Drop Stitch Wrap.(Available for $5 at Craftsy & Ravelry)
The principal behind the process is not the difficult; essentially you pull through a long loop in the indicated stitch. Then you remove your hook and dependent upon the design, insert the hook in either the same indicated stitch or into the adjacent stitch and pull through a loop, and slip stitch. This slip stitch secures the loop and you then move on to the next stitch. The fun in this fabric is that you can work across the ends of the loops to create a second row, and thus have a row of long open loops, similar to the drop stitch effects in knitting.
I have used this stitch in a wide arrange of yarns and am happy with the results of most. However the only ones I have not been as happy with are yarns that have a little “springiness” to them. They have a lot of stretch and easily return to their natural state (like some sock yarns). This did not allow for a very long loop, it caused the loop to pull back, creating a more 3D effect in the fabric, which I have not found a good use for yet.
I still have not found a way to create the circle of loopty loops that are in my head, but by playing with various techniques and concepts along the way, I hope to enjoy many more discoveries.

If you want to take another journey of a Drop Stitch, check out Kim Guzman’s new book Learn Drop Stitch Crochet, She works it a little different then I do, she uses a knitting needle to keep the loops more uniform.

Crochet Insights through Knitting

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ScannedImageI have found that I need to keep my mind engaged with something new, and creating small challenges for myself is the best way for me to feel fulfilled and whole. When I focus this on my work in crochet it has usually been that challenge of “what can I create with this one skein of yarn”, or “how can I put this together differently”. However, this last week I took myself outside my comfort zone, it may seem a little sacrilegious, but I picked up a book and have begun teaching myself the basics of knitting. I know some out there are silently cheering that they have “converted me” and some are sighing that “I’ve gone to the dark side”, but neither could be further from the truth…this is just about a mental expansion.

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The books I learned to crochet and knit with. The knitting book has seen better days, but the house rabbit didn’t finish it off!

I have been crocheting for so much of my life, that I don’t know if I have a memory before I picked up a hook, but knitting was never something that I tried. When I learned to crochet, it was from a book, a Step-by-Step guide book printed by Golden Press in 1967. At the time I received this book, in a box of other books from a family member, there was a knitting book from the same publication (I think there may have been a macrame as well as some paper dolls and coloring books, it was quite a little assortment). I never really paid the knitting book much attention, I know my sister picked it up at one point years later and learned the basics of knitting (although I think her heart is into needle felting and sewing at this time in history).
So the book was just “around”, well I picked it up this week and gave it a go. The smallest needles I have in the house were 10mm, as I usually only use one and that is for broomstick lace. Well I managed to find a pair, and began to cast on. I have heard horror stories from knitters about casting on, but working different techniques in crochet made this feel natural (at least if I did it correctly, but it looks good so far). I believe the cast on I did would be referred to as the “long tail cast on”, and then I proceeded to work the knitting and purling stitches.
I will admit, I have found this to be a little awkward, I am not quite sure how to hold the needles so that they fell comfortable to me, the needle that I am working loops off of just isn’t sure where it should be. I am constantly fearful that those little loops will jump off the needle and then I will have a mess. But I will admit, it has been a good mental exercise for me.

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My first 2 knitting trials, I might have a little room for improvement.

I decided to give knitting a try for a couple of reasons, for one I have been teaching more often at knitting groups interested in learning some crochet skills such as Tunisian. By understanding the process they are use to it makes it easier to explain. Another reason was to better understand my crochet. So what I have managed to learn in the last week: That loops of either working method really adds the “bounce” to the fabric. These loops (the primary work of all stitches in knitting, but the loops that are pulled through on the crochet hook) are the essence of the yarn itself. If you begin with a yarn that is “springy” or is “stiff”, the loops are the parts of the stitch that highlight this quality. Granted, drape of a fabric can be affected by the hook or needle size being used, but the yarn will always shine through and these loops is where it happens.
Understanding the relationship of the stitch process and the yarn nature really helps to define and appreciate the techniques and the end fabric. This is an enlightening adventure…I wonder where it might take me next….

Crochet Cursing! Blocking?

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ScannedImageI am going to use a curse word in the world of crochet…Blocking. Okay I said it, and I admit it is not my most favorite part of crocheting.
Over all my many years of crocheting, I never blocked my work, but I have a new understanding and appreciation for it in the more recent years.
So in my earlier years of crocheting I mostly created afghans made of acrylic yarn, really looking at it, blocking would not have made much of a difference in my work. But as I began using more natural fibers, I can really see the difference blocking has to offer. This is even true of some of the new synthetic yarns.
I began to thinks about blocking different when someone expressed it as “a way of setting the stitch”. This one phrase opened up a new line of thought about this process, and caused me to investigate how this technique affects my fabric.

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Unblocked, they look okay, but the detailing is not as evident.

So what is blocking? Blocking is the process of using moisture to open up the yarn fiber and set it into a desired shape. Yes, you may have already crocheted it into the shape you want, but the original structure of the yarn want s to pull it to itself. By adding moisture, (using a spray bottle of water, or steaming with an iron) the fiber in the yarn relaxes and opens up to the structure you have created. For best results, you should test the blocking on a swatch to determine what the best method of blocking is. Essentially this is a “lay flat to dry” kind of project.
This process is not only used in your finished fabric. The method of getting a fiber wet and setting it to a desired structure actually takes place in handspun yarns as well. It is referred to as “setting the twist”. After a yarn is plied (more than one strand spun together in the opposite direction of the single strands), it is submerged in water to remove the air. It is then snapped like a whip to remove the excess water, and hung to dry, sometimes even weighted (hanging weight at the end of the hank) to set the twists of the yarn. So setting a stitch by blocking is much like setting the twist in the yarn to begin with. It allows the fibers to “receive a new memory” of how to sit and where to belong.

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Blocked, you can see more of the open work, and everything is a little crisper and more defined.

I do not use blocking to attempt to create something other then what I stitched, I do not attempt to get an additional several inches to my project and become something it is not. I use it to open up my open stitch work, my lace, help set my edges straighter, help my yarn to know where its new home is.
I guess I really cannot call it a curse word any more; it is a functional tool in my bag of techniques…but still not one that I love…

Spanish Combs Scarf with Erika Knight Yarn = A Great Effect

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ScannedImageSo at my home it already feels like summer. I would really like to experience spring, but I guess since winter skipped California this year that summer is due. However that only means that I can starting wishing it was fall all that much earlier!
So it makes it fitting that I am releasing a new” 2 in 1” pattern this week. Often when we see a photo of a pattern we do not think about how the yarn choice really affects the finished item, but this pattern capitalizes upon it. I had the pleasure of working with some gorgeous Erika Knight Yarns to create a scarf, Spanish Combs Scarf, which has two very different effects depending on the yarn used.

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Vintage Spanish Combs Scarf Photo courtesy Blue Water Fibers

The stitch technique itself was inspired by the ornate combs that adorned the hair of women in Spain during the centuries gone by. These “combs” nestle together and form an interesting dance of positive and negative space.

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Maxi Spanish Combs Scarf Photo courtesy of Blue Water Fibers

The Vintage Yarn creates a scarf that has a soft drape and nice open stitch work for a smooth edged classic look, while the Maxi Yarn has a warm chunky image. The fringe gives it a very retro look (it is a version that I have already been asked to make up as holiday gifts). These two scarves essentially share the same pattern, with the only difference being the finished sizes, the materials and the gauge.

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Maxi Spanish Combs Scarf Photo courtesy of Blue Water Fibers

If you get the opportunity, please check it out (available at Craftsy & Ravelry), and if you have the opportunity to play with some of Erika Knights Yarn, do it. You won’t be disappointed.

Something Special…Do Not Wait for the Moment

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ScannedImageI had a moment of clarity and awaking the other day when going through my yarn stash; I treat special as something cherished and don’t indulge in it very often.

I actually have a couple of stashes around the house; one closet that houses most of the yarns I do work with, current yarns of large yarn companies, then I have a large tote that is filled with yarns that are discontinued of inherited from the stash of others that get used for charity projects (this is also the only stash the kids are allowed to go through to make their own projects). There is the little desk (that I can easily forget about) that houses yarns that I use for class instructions. Then there is last stash, a cabinet that houses those “special yarns”, ones that I have purchased of the years, ones that are beautiful to me, or one skein luxury gifts in a sense.

This cabinet is a little hodge podge of different fibers, some I have even hand dyed, some handspun, but they are all yarns that evoke some kind of memory or feeling. I keep them in a “special” category; someday I will find the right pattern for that “special” yarn. It always gets put off to tomorrow as I work on today.

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one corner of one shelf in my “special” cabinet

Yes, I attempt to save the best for last. A good bottle of wine can live decades in my house as I find the best moment to drink it, my strand of pearls gather dust in my jewelry box as I wait for events special enough to wear them to, heck even at a good dinner my favorite dish on the plate has to be my last bite saving it to be cherished longer before moving on to the next thing.

I have always been like this, but as I was going through my cabinet, I realized that some of my “special” yarn had not seen the light of day in years. A little collection of merino yarn that I created at a dying workshop that was…oh, at least 5 years ago, but no more then 8, has been sitting in little cake balls waiting to be made into anything. Some little skeins of silk I got at a show a few years ago, and a few skeins that I spun myself on my own wheel (considering that I have a layer of dust on my wheel, and it has not spun anything since 2011, I know those have been there a while) easily dance in the foreground.

Time does pass in odd ways like this, waiting, waiting for something special. I recognize its passing in everyday life, all the things I need to get done, the deadlines before me, but I seem to neglect the “special”, waiting for the moment.

I hope that with this epiphany that I can at least attempt to “make a moment “during the week to address something special. Bring more of the richness life has to offer into the every day, at least I hope that I can keep this as a conscience goal and that it does not get eaten up by time…but only time will tell.