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Crochet Cursing! Blocking?

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ScannedImageI am going to use a curse word in the world of crochet…Blocking. Okay I said it, and I admit it is not my most favorite part of crocheting.
Over all my many years of crocheting, I never blocked my work, but I have a new understanding and appreciation for it in the more recent years.
So in my earlier years of crocheting I mostly created afghans made of acrylic yarn, really looking at it, blocking would not have made much of a difference in my work. But as I began using more natural fibers, I can really see the difference blocking has to offer. This is even true of some of the new synthetic yarns.
I began to thinks about blocking different when someone expressed it as “a way of setting the stitch”. This one phrase opened up a new line of thought about this process, and caused me to investigate how this technique affects my fabric.

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Unblocked, they look okay, but the detailing is not as evident.

So what is blocking? Blocking is the process of using moisture to open up the yarn fiber and set it into a desired shape. Yes, you may have already crocheted it into the shape you want, but the original structure of the yarn want s to pull it to itself. By adding moisture, (using a spray bottle of water, or steaming with an iron) the fiber in the yarn relaxes and opens up to the structure you have created. For best results, you should test the blocking on a swatch to determine what the best method of blocking is. Essentially this is a “lay flat to dry” kind of project.
This process is not only used in your finished fabric. The method of getting a fiber wet and setting it to a desired structure actually takes place in handspun yarns as well. It is referred to as “setting the twist”. After a yarn is plied (more than one strand spun together in the opposite direction of the single strands), it is submerged in water to remove the air. It is then snapped like a whip to remove the excess water, and hung to dry, sometimes even weighted (hanging weight at the end of the hank) to set the twists of the yarn. So setting a stitch by blocking is much like setting the twist in the yarn to begin with. It allows the fibers to “receive a new memory” of how to sit and where to belong.

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Blocked, you can see more of the open work, and everything is a little crisper and more defined.

I do not use blocking to attempt to create something other then what I stitched, I do not attempt to get an additional several inches to my project and become something it is not. I use it to open up my open stitch work, my lace, help set my edges straighter, help my yarn to know where its new home is.
I guess I really cannot call it a curse word any more; it is a functional tool in my bag of techniques…but still not one that I love…

Spanish Combs Scarf with Erika Knight Yarn = A Great Effect

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ScannedImageSo at my home it already feels like summer. I would really like to experience spring, but I guess since winter skipped California this year that summer is due. However that only means that I can starting wishing it was fall all that much earlier!
So it makes it fitting that I am releasing a new” 2 in 1” pattern this week. Often when we see a photo of a pattern we do not think about how the yarn choice really affects the finished item, but this pattern capitalizes upon it. I had the pleasure of working with some gorgeous Erika Knight Yarns to create a scarf, Spanish Combs Scarf, which has two very different effects depending on the yarn used.

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Vintage Spanish Combs Scarf Photo courtesy Blue Water Fibers

The stitch technique itself was inspired by the ornate combs that adorned the hair of women in Spain during the centuries gone by. These “combs” nestle together and form an interesting dance of positive and negative space.

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Maxi Spanish Combs Scarf Photo courtesy of Blue Water Fibers

The Vintage Yarn creates a scarf that has a soft drape and nice open stitch work for a smooth edged classic look, while the Maxi Yarn has a warm chunky image. The fringe gives it a very retro look (it is a version that I have already been asked to make up as holiday gifts). These two scarves essentially share the same pattern, with the only difference being the finished sizes, the materials and the gauge.

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Maxi Spanish Combs Scarf Photo courtesy of Blue Water Fibers

If you get the opportunity, please check it out (available at Craftsy & Ravelry), and if you have the opportunity to play with some of Erika Knights Yarn, do it. You won’t be disappointed.

Something Special…Do Not Wait for the Moment

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ScannedImageI had a moment of clarity and awaking the other day when going through my yarn stash; I treat special as something cherished and don’t indulge in it very often.

I actually have a couple of stashes around the house; one closet that houses most of the yarns I do work with, current yarns of large yarn companies, then I have a large tote that is filled with yarns that are discontinued of inherited from the stash of others that get used for charity projects (this is also the only stash the kids are allowed to go through to make their own projects). There is the little desk (that I can easily forget about) that houses yarns that I use for class instructions. Then there is last stash, a cabinet that houses those “special yarns”, ones that I have purchased of the years, ones that are beautiful to me, or one skein luxury gifts in a sense.

This cabinet is a little hodge podge of different fibers, some I have even hand dyed, some handspun, but they are all yarns that evoke some kind of memory or feeling. I keep them in a “special” category; someday I will find the right pattern for that “special” yarn. It always gets put off to tomorrow as I work on today.

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one corner of one shelf in my “special” cabinet

Yes, I attempt to save the best for last. A good bottle of wine can live decades in my house as I find the best moment to drink it, my strand of pearls gather dust in my jewelry box as I wait for events special enough to wear them to, heck even at a good dinner my favorite dish on the plate has to be my last bite saving it to be cherished longer before moving on to the next thing.

I have always been like this, but as I was going through my cabinet, I realized that some of my “special” yarn had not seen the light of day in years. A little collection of merino yarn that I created at a dying workshop that was…oh, at least 5 years ago, but no more then 8, has been sitting in little cake balls waiting to be made into anything. Some little skeins of silk I got at a show a few years ago, and a few skeins that I spun myself on my own wheel (considering that I have a layer of dust on my wheel, and it has not spun anything since 2011, I know those have been there a while) easily dance in the foreground.

Time does pass in odd ways like this, waiting, waiting for something special. I recognize its passing in everyday life, all the things I need to get done, the deadlines before me, but I seem to neglect the “special”, waiting for the moment.

I hope that with this epiphany that I can at least attempt to “make a moment “during the week to address something special. Bring more of the richness life has to offer into the every day, at least I hope that I can keep this as a conscience goal and that it does not get eaten up by time…but only time will tell.

 

 

A Review: The Fine Art of Crochet by Gwen Blakely Kinsler

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ScannedImageGwen Blakely Kinsler, has done much for the skill of crochet. Twenty years ago she began the Crochet Guild of America, creating a national, excuse me, international setting for crocheters of every level and area of interest to come together and share the love they have for a hook and the fabrics it creates. She continues bringing new life to crochet by highlighting those utilizing crochet in fine arts with her new book, The Fine Art of Crochet Innovative Works from 20 Contemporary Artists.

So I have an admiration of art, even fine art, but I will admit that contemporary art does not always speak to me. So reading through this new book was a revealing time for me. Just flipping through the pages I would see photos of various pieces of art, things that I would have to be in a different mindset to fully appreciate, but then I began to read. 51LhiyLx5ML

Each artist has a very different approach and message that they are expelling through works that involve crochet and this book allows you to enter the creative process and approach by each artist, as Gwen gives each a personal voice. It gave me a greater appreciation of the work that they do, I could see more in their art then I ever could on my own. It was interesting to see how each artist discovered crochet as a medium, as no one ever set out and imagined using crochet in their art, but came to it for different reasons and spoke different things.

Even days later, the work of some of the artists have remained in my mind. The way Jo Hamilton uses crochet as a form of paint, while “showing the brush strokes” was amazing to me, and I can vastly appreciate the skill involved to accomplish the “painting”. Soonran Youn work has such meaning that I may have over looked without understanding her theory of expression. The work of Carol Hummel feels like home, yet really is revolutionary in its approach and undertaking.  Jerry Bleem has such a message in his work by his materials used that it really is thought provoking. I have had the pleasure of taking a class from Dr. Carol Ventura, so I have appreciated her work up close, but her chapter allowed me to see more about her creative process and growth of her art.

The Fine Art of Crochet is more than just an outline of an artist’s life and how they use crochet in the art that they place in museums. It can speak to you, as it spoke to me, and allow of an awaking in a new approach that my crochet can take, and at very least provoke a new understanding of crochet elevated from a craft, a hobby, to fine art.

Double Limpets

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Double Limpet Ascot 2

Photo Courtesy of Annie’s

ScannedImageThe Double Limpet is another stitch that I have been playing with. I enjoy the technique to this stitch, probably because I like the “casting on” of loops and working them off to create this unique texture. It reminds me of little shells or fins that stand up and ask to be taken notice of on a fabric.

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Photo courtesy of Annie’s

The ascot scarf grew out of this whimsical approach. The double limpets create a fun texture at either end and also allow for the scarf to be slipped through a “bridge” of stitches to secure to itself.You can find a full description of the stitch technique, in three variations, as well as the ascot pattern in the Summer 2014 issue of Crochet! Magazine (currently available on news stands).  Sm2014 C!