As the hot days of summer arise I had a question asked of me; “How can you crochet in this heat?” I actually find it quite easy, and when I look back over time I think I understand some of the reason for this.
When I was in my youth, summer was when I had my free time, unlike some of the childhoods of today, mine was a time of being at home, playing outside. There was no differentiating the days of the week, Monday was just like Friday which was just like Wednesday, there were no camps or classes, just finding a way to play with my brother and sister, without fighting and getting on mom’s nerves. So during this time creativity had a time to bloom and picking up a book and working a project was readily done.
As I grew older and the relaxing days of no responsibility and laid back summers waned, I was crocheting in my down time to actually stay cool. I know that thinking of temperatures at or near 100°F doesn’t sound like a time when picking up a skein of yarn sounds like a cooling off event, but in my home, which has never been comprised of air conditioning, sitting in front of a fan is the greatest pleasure. It is this sitting still, yet being productive that crochet has allowed me, sit right in front of the fan and work away. In actuality most of my leisure crochet has been created in the hottest months of the year. My hands have kept busy while my hands keep creating. In most recent times the yarn in my hands have been bamboos and silks, then just seem to speak “cool temperature”, or maybe even a cotton. This is just a little mental trip I think, but it does the trick and seems to reduce the temperature.
Okay so I might just reverse this argument for reasons way I crochet in the winter, sitting by the fire to stay warm, but it is too hot outside to think of the fire, I just want to think of sitting by the fan, so I guess I will find some crochet and keep cool.
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Timeless Crochet?
I have always heard of the “trends in fashion” and how things become “dated”. I will say that I believed this for most of my life. However lately I have been cleaning some closets and finding some “lost” projects, and when reflecting on the time they have been tucked away I find that they may be a little timeless.
This is not to say that you cannot date crochet pieces; usually this is most accurate to date the material used. The composition of some yarns date them better then the stitches used to put them together, but I do not know if the style of crochet really goes out of fashion.
A scrap afghan created with left over baby yarn
A simple reference for this is for me is baby afghans. Since I have been crocheting for most of my life, I have created afghans for the new additions to a family since high school. I have one “go-to” pattern that I have made with the same yarn for nearly twenty years (It is Precious In Pink by Cathy Hardy from the book Afghans For All Seasons by Leisure Arts and Oxmoor House, made with Bernats Baby Coordinates Yarn). I can probably work the pattern in my sleep, and often can complete it in less than a day and a half. The size of the skein has changed since I started making it, it use to take me only 2 skeins and a dab of a third (only enough to finish the last row), while now it takes nearly the entire third skein. But that is a side effect of working a pattern so long. Why I mention this, is one day about 10 years ago, I worked up a full size afghan in a chevron pattern from the remaining “third skeins” of yarn from the baby afghans. At the time, I was able to identify 35 different skeins used, and I know that not every afghan was accounted for. The number has only increased since then, but the effect the afghan has on the recipient is the same; gratitude, and genuine warmth. Some of those “babies” are having children of their own, but the same blanket brings the same response; a proof of timeless.
My “Pneumonia Afghan”
Another project that speaks of me of the passage of time, or the lack of recognizing it, is my “pneumonia afghan” (Actually the pattern is Stitch Sampler by Jean Holzman from the book Afghans For All Seasons by Leisure Arts and Oxmoor House). It is so named by me due to the illness I had when finally finishing it (I was sick enough with walking pneumonia that the doctor only gave me 2 options: two weeks of bed rest with heavy antibiotics, or hospitalization….since I lacked health insurance I opted for the former) . To pass the time I completed this afghan with scraps I had, I have since worked this pattern many times as well, almost always with scraps. This afghan is still in my home, after, again nearly twenty years. The only reason I can date it is due to my illness, the stitch work itself is still as recognizable and noteworthy as when I first made it.
Okay, so maybe crochet is not timeless, but in my hands I do not see the time, I can only date it from the context it is worked in. So, if a piece of hand work can still be honored in your home for a quarter of a century (heck, I know people that treasure handiwork from their grandmothers, and it looks appropriate in their home as well), then maybe it is a timeless treasure. Some may only think of crochet, from the 1970’s and think that it is only representative of stiff yarns and granny squares, but if you really look around you see that it does not really have a date, not in most cases.
My Drop Stitch Journey
As any long time crochet has realized “fancier” crochet stitches really do not have a single name. The term Popcorn, or Cable give you the basic idea, but a Cluster can have a few different interpretations. So it is important to pay close attention to the “Special Stitches” selections of patterns, and if working up your own idea, remember to be consistent with the process or steps of your stitch.
The Drop Stitch with Shells
With that being stated, I wanted to share how my version of the “Drop Stitch” came about.
Several years ago, I was attempting to find a way to create a round open loop within a row of fabric. I know you can create chain and skip spaces, but I have a vision that was a little different, almost like a “loopty loop” of a roller coaster. In my attempts to find this approach to fulfill my vision I began playing with some “long loops”. With these long loops I twisted, I stitched over, I stitched through and around, in various ways and found eventually found a way to make them secure in the fabric, and eventually began to see what resembled the effects of Hairpin Lace.
Summer Rays Drop Stitch Wrap
I wrote up the process and created a short scarf for Crochet! Magazine in the Summer 2012 issue to explain what I found, and how to create it. Since then I have played with the stitch in a variety of ways in my personal crochet, even creating a self-published design earlier this year, Summer Rays Drop Stitch Wrap.(Available for $5 at Craftsy & Ravelry)
The principal behind the process is not the difficult; essentially you pull through a long loop in the indicated stitch. Then you remove your hook and dependent upon the design, insert the hook in either the same indicated stitch or into the adjacent stitch and pull through a loop, and slip stitch. This slip stitch secures the loop and you then move on to the next stitch. The fun in this fabric is that you can work across the ends of the loops to create a second row, and thus have a row of long open loops, similar to the drop stitch effects in knitting.
I have used this stitch in a wide arrange of yarns and am happy with the results of most. However the only ones I have not been as happy with are yarns that have a little “springiness” to them. They have a lot of stretch and easily return to their natural state (like some sock yarns). This did not allow for a very long loop, it caused the loop to pull back, creating a more 3D effect in the fabric, which I have not found a good use for yet.
I still have not found a way to create the circle of loopty loops that are in my head, but by playing with various techniques and concepts along the way, I hope to enjoy many more discoveries.
If you want to take another journey of a Drop Stitch, check out Kim Guzman’s new book Learn Drop Stitch Crochet, She works it a little different then I do, she uses a knitting needle to keep the loops more uniform.
Crochet Insights through Knitting
I have found that I need to keep my mind engaged with something new, and creating small challenges for myself is the best way for me to feel fulfilled and whole. When I focus this on my work in crochet it has usually been that challenge of “what can I create with this one skein of yarn”, or “how can I put this together differently”. However, this last week I took myself outside my comfort zone, it may seem a little sacrilegious, but I picked up a book and have begun teaching myself the basics of knitting. I know some out there are silently cheering that they have “converted me” and some are sighing that “I’ve gone to the dark side”, but neither could be further from the truth…this is just about a mental expansion.
The books I learned to crochet and knit with. The knitting book has seen better days, but the house rabbit didn’t finish it off!
I have been crocheting for so much of my life, that I don’t know if I have a memory before I picked up a hook, but knitting was never something that I tried. When I learned to crochet, it was from a book, a Step-by-Step guide book printed by Golden Press in 1967. At the time I received this book, in a box of other books from a family member, there was a knitting book from the same publication (I think there may have been a macrame as well as some paper dolls and coloring books, it was quite a little assortment). I never really paid the knitting book much attention, I know my sister picked it up at one point years later and learned the basics of knitting (although I think her heart is into needle felting and sewing at this time in history).
So the book was just “around”, well I picked it up this week and gave it a go. The smallest needles I have in the house were 10mm, as I usually only use one and that is for broomstick lace. Well I managed to find a pair, and began to cast on. I have heard horror stories from knitters about casting on, but working different techniques in crochet made this feel natural (at least if I did it correctly, but it looks good so far). I believe the cast on I did would be referred to as the “long tail cast on”, and then I proceeded to work the knitting and purling stitches.
I will admit, I have found this to be a little awkward, I am not quite sure how to hold the needles so that they fell comfortable to me, the needle that I am working loops off of just isn’t sure where it should be. I am constantly fearful that those little loops will jump off the needle and then I will have a mess. But I will admit, it has been a good mental exercise for me.
My first 2 knitting trials, I might have a little room for improvement.
I decided to give knitting a try for a couple of reasons, for one I have been teaching more often at knitting groups interested in learning some crochet skills such as Tunisian. By understanding the process they are use to it makes it easier to explain. Another reason was to better understand my crochet. So what I have managed to learn in the last week: That loops of either working method really adds the “bounce” to the fabric. These loops (the primary work of all stitches in knitting, but the loops that are pulled through on the crochet hook) are the essence of the yarn itself. If you begin with a yarn that is “springy” or is “stiff”, the loops are the parts of the stitch that highlight this quality. Granted, drape of a fabric can be affected by the hook or needle size being used, but the yarn will always shine through and these loops is where it happens.
Understanding the relationship of the stitch process and the yarn nature really helps to define and appreciate the techniques and the end fabric. This is an enlightening adventure…I wonder where it might take me next….
Crochet Cursing! Blocking?
I am going to use a curse word in the world of crochet…Blocking. Okay I said it, and I admit it is not my most favorite part of crocheting.
Over all my many years of crocheting, I never blocked my work, but I have a new understanding and appreciation for it in the more recent years.
So in my earlier years of crocheting I mostly created afghans made of acrylic yarn, really looking at it, blocking would not have made much of a difference in my work. But as I began using more natural fibers, I can really see the difference blocking has to offer. This is even true of some of the new synthetic yarns.
I began to thinks about blocking different when someone expressed it as “a way of setting the stitch”. This one phrase opened up a new line of thought about this process, and caused me to investigate how this technique affects my fabric.
Unblocked, they look okay, but the detailing is not as evident.
So what is blocking? Blocking is the process of using moisture to open up the yarn fiber and set it into a desired shape. Yes, you may have already crocheted it into the shape you want, but the original structure of the yarn want s to pull it to itself. By adding moisture, (using a spray bottle of water, or steaming with an iron) the fiber in the yarn relaxes and opens up to the structure you have created. For best results, you should test the blocking on a swatch to determine what the best method of blocking is. Essentially this is a “lay flat to dry” kind of project.
This process is not only used in your finished fabric. The method of getting a fiber wet and setting it to a desired structure actually takes place in handspun yarns as well. It is referred to as “setting the twist”. After a yarn is plied (more than one strand spun together in the opposite direction of the single strands), it is submerged in water to remove the air. It is then snapped like a whip to remove the excess water, and hung to dry, sometimes even weighted (hanging weight at the end of the hank) to set the twists of the yarn. So setting a stitch by blocking is much like setting the twist in the yarn to begin with. It allows the fibers to “receive a new memory” of how to sit and where to belong.
Blocked, you can see more of the open work, and everything is a little crisper and more defined.
I do not use blocking to attempt to create something other then what I stitched, I do not attempt to get an additional several inches to my project and become something it is not. I use it to open up my open stitch work, my lace, help set my edges straighter, help my yarn to know where its new home is.
I guess I really cannot call it a curse word any more; it is a functional tool in my bag of techniques…but still not one that I love…